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He received his undergraduate degree in 2018 from Northern Arizona University, where he studied with Dr. Judith Cloud. Other operatic highlights include Belcore in L’elisir d’amore, Baron Mirko Zeta in The Merry Widow, Giove in La Calisto, Kecal in The Bartered Bride, Simone in Gianni Schicchi, and Seneca in The Coronation of Poppea. He has also been seen performing selections of Bernstein and Mahler with the CCM Philharmonic, and was the bass soloist in Vaughan Williams’ Serenade to Music with the DePaul University Symphony Orchestra. He won an Encouragement Award in the Central Region Finals of the Eric and Dominque Laffont Competition in 2021, won first prize in the 2022 University of Cincinnati – CCM Corbett Opera Scholarship Competition and is a two-time semi-finalist (2021, 2022) of the Lotte Lenya Competition. He has also won awards from Classical Singer National Voice Competition and the Grand Junction Symphony Orchestra Young Artist Competition. An Atlanta native, Mr. Robinson is a graduate of The Citadel and received his musical training from the Boston University Opera Institute.
Audra McDonald in Concert
His recordings of LA Opera productions have received four Grammy Awards, two respectively for John Corigliano’s The Ghosts of Versailles and Kurt Weill’s Rise and Fall of the City of Mahagonny. Additional highlights include an ECHO Klassik Award-winning recording cycle of operas and orchestral works by Alexander Zemlinsky; a CD/DVD release of works by Viktor Ullmann, which won the Preis der deutschen Schallplattenkritik; and the world-premiere recording of Liszt’s oratorio St. Stanislaus. Conlon’s extensive discography and filmography spans the Bridge, Capriccio, Decca, EMI, Erato, and Sony Classical labels. His recordings of LA Opera productions have received four Grammy Awards, two respectively for John Corigliano’s The Ghosts of Versailles and for Kurt Weill’s Rise and Fall of the City of Mahagonny. Additional highlights include an ECHO Klassik Award-winning recording cycle of operas and orchestral works by Alexander Zemlinsky; a CD/DVD release of works by Viktor Ullmann, which won the Preis der deutschen Schallplattenkritik; and the world-premiere recording of Liszt’s oratorio St. Stanislaus. When I listen to a rap recording, I sometimes employ a guide to follow allusions in the lyrics that may escape me.
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Many will remember it as the location for part-time New Orleanian and soul singer Solange Knowles’ elegantly funky nuptials to director Alan Ferguson in November of 2014. Kitty moves effortlessly between her work in opera, including Roméo et Juliette, La Traviata, Don Carlo, La Rondine, Lucia di Lammermoor and The Tales of Hoffmann for the country’s largest opera houses, to commercials for Target, Adobe MAX, Novartis, Mercedes Benz, Grey Ant and Uniqlo. She finds shifting from high art settings to the demands of pop culture to be incredibly invigorating.
Chris Christy Orchestra
Payne’s office had said his heart attack was connected to complications from diabetes. Payne’s father, Donald Milford Payne, held the congressional seat before him. When the elder Payne died in 2012, his son ran successfully in a special election to succeed him. Payne had previously served as president of Newark City Council in New Jersey’s largest city, and on the Essex County Board of Commissioners.
Dickey Betts, guitarist and founding member of the Allman Brothers Band, dies 80
He received a 2023 Cross of Honor for Science and Art (Österreichische Ehrenkreuz für Wissenschaft und Kunst) from the Republic of Austria, and was named Commendatore Ordine al Merito della Repubblica Italiana by Sergio Mattarella, President of the Italian Republic. He regularly appears at the Metropolitan Opera, where he is a graduate of the Lindemann Young Artist Program. The Dorothy Chandler Pavilion has been the site of unparalleled performances by stunning music luminaries and virtuosos. It was the home of the LA Philharmonic for decades and the site for more than 20 Academy Awards presentations between 1969 and 1999. It has been the home of LA Opera since 1986, sharing its stage with Glorya Kaufman Presents Dance at The Music Center.
Kitty loves working with actors and is known for her ability to draw out organically nuanced performances. She has coached and choreographed for Paz Vega, Julianne Hough, Margaret Cho, Vanessa Williams, Vittorio Grigolo, Lily Tomlin, Anna Netrebko and Rolando Villazón. Mr. Thomas’s “ardent expression and spine-tingling high notes” (Cincinnati Enquirer) have been heard in the Verdi Requiem with the New York Philharmonic, Baltimore Symphony Orchestra, and the symphony orchestras of Washington, D.C. He joined the Met Orchestra for their first overseas tour in more than 20 years, singing Otello opposite Angel Blue at Carnegie Hall, Philharmonie de Paris, Barbican Centre, and Festspielhaus Baden-Baden. That said, there is always the danger of a welcome turning into glad-handing.
In the summer of 2023, he performed Le Dancaïre in Carmen with Des Moines Metro Opera, followed by his Hollywood Bowl debut in Chris Thile's Attention! Mr. Robinson’s solo album, Going Home, was released on the Decca label. He also appears as Joe in the DVD of the San Francisco Opera production of Show Boat, and in the DVDs of the Metropolitan Opera’s production of Salome and the Aix-en-Provence Festival’s production of Mozart’s Zaide. Her interpretation of Lina in Verdi's Stiffelio was released on DVD in a production from Parma. With a “heroically shining tone of exceptional clarity and precision” (Opera magazine) and “gorgeously burnished power” (The New York Times), American tenor Russell Thomas uses his signature elegance and intensity to create vivid character portrayals on the world’s most important stages. Turandot is a masterpiece that contains imagined, outdated and inaccurate representations of Asian culture.
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Opotowsky was a top editor at the Riverside Press-Enterprise when the paper brought two cases before the U.S. Supreme Court that resulted in landmark rulings advancing the public’s right to view certain legal proceedings. He was later a founding board member of the First Amendment Coalition, a nonprofit dedicated to protecting the free press and preserving access to government records and meetings. Maurice Leon “Mel” Opotowsky, a former newspaper editor and tenacious free press advocate who was known for helping to advance 1st Amendment rights, has died.
Mark Swed has been the classical music critic of the Los Angeles Times since 1996. The Los Angeles Philharmonic is remounting “Fidelio” with Deaf West Theatre next month, Opera America and World Opera Forum host conferences in L.A. In June, and new work is coming from Long Beach Opera and the Industry — along with dozens of offerings from L.A.
Conlon opens his 18th season at LA Opera conducting Mozart’s Don Giovanni directed by Kasper Holten. He also conducts Verdi’s La Traviata—the first opera he led as Music Director of LA Opera—continuing his multi-season focus on the works of the great Italian composer. To date, Conlon has conducted more than 500 international performances of Verdi’s repertoire. Conlon closes his LA Opera season honoring the 100th anniversary of Puccini’s death, conducting Turandot, Puccini’s final opera composed in 1924. She has also presented solo recitals at the Kennedy Center in Washington, D.C., as well as in Philadelphia, Santa Fe, and Waterford (VA). Conlon is deeply invested in the role of music in civic life and the human experience.
He also returns to Switzerland’s Bern Symphony, where he is Principal Guest Conductor, to lead three programs including Schubert and Beethoven symphonies, a celebratory New Years Day concert, and a season finale with Shostakovich’s Symphony No. 5. Since his debut that year with La Traviata, he has conducted 67 different operas and more than 455 performances to date with the company. He portrayed Sellem in The Rake’s Progress with Princeton Festival; Bégearss in The Ghosts of Versailles with Aspen Opera Theater Center; and Demo in Cavalli’s Giasone with Chicago Opera Theater. He was also seen as Conrado in a workshop performance of Long Season by Chay Yew and Fabian Obispo, as part of Huntington Theatre Company’s Breaking Ground Festival. Ahn attended the New England Conservatory of Music, where he studied with the world-renowned tenor Vinson Cole and performed a wide range of operatic roles. Ahn was cast in the lead role of Guang in Stuck Elevator by Byron Au Yong and Aaron Jafferis with the Sundance Institute Theatre Lab 2011 at the Banff Centre, as well as with the Sundance Institute Theatre Lab 2012 at White Oak.
The “Traviata” production the company imported from San Francisco Opera fits right in with period sets and costumes so formulaic as to feel ironically surreal, along with park-and-bark direction for the singers. There is a hint of wink-wink-nod-nod kink in a party scene (this is from San Francisco, after all), comic not erotic. The Wide Shot brings you news, analysis and insights on everything from streaming wars to production — and what it all means for the future. Ashley Judd, Mira Sorvino and others who have accused the former Hollywood producer of sexual misconduct condemned a New York court of appeals’ decision on Thursday to overturn the verdict.
The soldiers try to torture it out of her, but she grabs one of their daggers and stabs herself, declaring that by her sacrifice, the princess will come to love the stranger. Calaf indignantly kisses Turandot, trying to thaw the princess of ice (“Principessa di morte!”). When the crowd asks if she knows the stranger’s name, she replies, looking into Calaf’s eyes, “His name is love! Scene TwoEight wise men appear in the square carrying scrolls with the answers to the three riddles (“Gravi, enormi ed impotenti”). The ancient Emperor, enthroned in venerable majesty, begs Calaf to leave, but the Tartar prince will not yield.
Ballets include RIFT, commissioned by Cabrillo Festival of Contemporary Music and the Kennedy Center, the creation of the new ballets Traces and Transit for National Choreographer’s Initiative and colony for LA Ballet’s NEXT Wave Series. Garnett Bruce’s body of work includes directing at the Lyric Opera of Chicago, San Francisco Opera, Houston Grand Opera, Washington National Opera, Dallas Opera and his European opera debut staging Turandot for the Teatro di San Carlo in Naples among many others. Upcoming work includes Remus in Treemonisha with Volcano Theatre of Toronto, recitals for LA Opera and more. He is featured on multiple professional recordings including the original cast recordings of Invisible Cities (CD/DVD/digital release) and The Edge of Forever (vinyl/digital release) and San Francisco Opera's production of Porgy and Bess (BluRay-DVD).
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